![]() Images from this collection have been digitized and are available in Oregon Digital. The collection provides visual documentation for a number of noteworthy individuals, activities and events dotting the history of Oregon State University for nearly one century. The Oregon State University Historical Photographs Collection is an artificial collection comprised of images gathered from multiple sources. Oregon State University Historical Photographs, 1868-1980 Glass negatives can be found in Boxes 07 - 29. The Department of Horticulture and Botany was established in 1888 a separate Horticulture Department formed in 1909.Images from this collection have been digitized and are available in Oregon Digital. The Horticulture Department Photographs consist of images taken and assembled by horticulture faculty for teaching and research and depict a variety of horticultural topics as well as the Oregon Agricultural College campus. Horticulture Department Photographs, 1900-1980 Glass negatives comprise the majority of the collection, and can be found in Boxes 17 - 58. Gifford arrived in Oregon and worked first in Portland until 1895, when he opened a studio in The Dalles. The images depict Native Americans, primarily of the Columbia Plateau region the Columbia River and the Historic Columbia River Highway Central and Eastern Oregon Gifford Family members and many unidentified individuals and groups. ![]() ![]() Gifford Photographs consist of photographs made by Gifford during his career as a photographer in Portland and The Dalles, Oregon. Gifford Photographs, circa 1885-circa 1920 ![]() Dry plate negatives are typically on thinner glass plates, with a more evenly coated emulsion. Dry plate glass negatives were in common use between the 1880s and the late 1920s.īenjamin A. Maddox and first made available in 1873, dry plate negatives were the first economically successful durable photographic medium. Silver gelatin-coated dry plate negatives, on the other hand, were usable when dry and thus more easily transported, and required less exposure to light than the wet plates. Occasionally, the photographers thumb will be visible on the corner or edge of the plate (from holding the plate while coating it in the collodion emulsion). The photographer, however, was on the clock: the wet plate process, including exposure and processing, had to happen before the collodion emulsion dried. Collodion wet plate negatives characteristically have uneven emulsion coatings, and thick glass with rough edges. Using glass and not paper as a foundation, allowed for a sharper, more stable and detailed negative, and several prints could be produced from one negative. Wet plate negatives, invented by Frederick Scoff Archer in 1851, were in use from the early 1850s until the 1880s. Ian Sanderson studio continues to create rare and personalised pieces thanks to the work of Ian's life partner.īlack and white photography, 20th.There are two basic types of glass plate negatives: collodion wet plate and gelatin dry plate. These precious metals bring longevity and rarity to the print but also a tonal range and depth unmatched by digital printers which are valued by collectors. Ian Sanderson Studio works with silver or gold leafs depending on the desired rendering. Many photographers have worked with it in the past as Irvin Penn, Manuel Alvarez Bravo, Robert Mapplethorpe, Sebastiao Salgado o Ormond Gigli with its Platinum with gold leaf print 'Girls in the Windows'.įor this type of print, the original Platinum Palladium technique is more advanced by adding another precious metal that only a handful of artists in the world have the expertise to practice it today. Platinum Palladium printing is a traditional photographic technique which precedes silver gelatin prints technique. This culminated in a large retrospective exhibition in Barcelona which was sponsored by the Nando and Elsa Peretti Foundation. Ian and his partner have worked for many years with alternative printing techniques, Platinum Palladium, Silver Gelatin, Lith or Gum Bichromate. For most he worked as both a Commercial and Fine Art photographer during his last years concentrated on his personal archive. Ian produced images over a 35 year career. Ian Sanderson (born 1951 Scotland, died 2020 Spain) was a Scottish photographer. ‘ Lisa ' By Ian Sanderson, Silver Gelatin print, Fiber basedĪ beautiful silver gelatin fibre based print produced in the darkroom directly from the negative.
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